Transforming Ene Henshaw’s Medicine for Love into a Theatrical Spectacle
Godswill B. Edet
& Ekaette B. Edem
Published in UTUENIKANG - March, 2026
Abstract
Designing the stage entails a complex and multi-faceted process and thus requires that designers must critically consider factors such as the space available, the style of the production, and the director’s vision. This work thus explores the strategies by which theatrical productions serve as vital media for representing diverse aspects of human experience, including love, conflict, and societal challenges. In the play Medicine for Love, the interplay between stage craft, design, and the representation of reality is central to creating an immersive and meaningful audience experience. However, a significant challenge lies in effectively translating the themes and emotional depth of the play into a visual and performative reality. The play explores a complex narrative that hinges on the interplay between the physical and emotional struggles of its characters, and while the creative team undoubtedly put considerable effort into accurately and authentically depicting the world of the play, some aspects of the production may fall short of achieving this goal. By highlighting the strengths and weaknesses of the production on stage, this study provides practical guidance for future productions, helping to enhance the immersive and emotional impact of theater for audiences. The findings point at the potential to inspire future creative endeavors and scholarly investigations, fostering a deeper appreciation for the symbiotic relationship between stagecraft and narrative.
Authors
- Godswill Bassey Edet
Department of performing Arts
Akwa Ibom State University, Nigeria\ - Ekaette Brian Edem
Department of performing Arts
Akwa Ibom State University, Nigeria
ekaeebrian@aksu.edu.ng